A curated screening featuring ten Saskatchewan Film and Video artists.
In this blog series, Matt Holland writes about making his first big production out of University, Malignance. In this post, Matt covers the production portion of the project.
Checkout what the Filmpool’s Programming Coordinator has to say about the recent IMAA National Media Arts Summit in Halifax!
We’re pretty stoked to introduce a few new pieces of gear available to the membership at the Filmpool: Blackmagic’s Pocket Cinema Camera, and Production Camera 4K, and solid rigs for each camera system as well as new lenses and accessories.
Workshops and test footage to come. Stay tuned!
Aug 21 2014
When: 8pm Friday September 19th, 2014
Curated by Amber Christensen this screening will feature works from ten Saskatchewan film and video artists. Sometimes surreal, sometimes serious, sometimes whimsical and sometimes sweet, all filled with tiny potent magic.
Permanent link to this article: http://www.filmpool.ca/filmpool-screening-tiny-magic-conjuring-all-kinds-of-feelings/
Jul 29 2014
Malignance is now being edited and will move into the final stages of colour correction and sound mixing before the Summer of 2014 is out. Here is a teaser trailer that you can check out in the meantime:
A lot of hard work has been put into this short film and it showcases a number of Saskatchewan talent and the motivation to those here that love the movie making process.
There is often a dissociation between the opposing forces of the good versus evil representation in the horror genre, where the creature’s motivation to stalk the protagonist is often driven by animalistic tendencies opposed to intellectual ones. The unique aspect of Malignance is that it explores the intimate relationship between good and evil, light and dark, innocent and corrupt. The creature is pure evil through a highly sophisticated understanding of perversion and terror, which is driven by the unyielding desire to devour the illness that plagues the protagonist. The balance of the relationship is exemplified from both perspectives of the situation, which in itself becomes quite terrifying. It is important to create the film in this manner to build a rapport between the division of good and evil. The relationship between them becomes something personable; the menacing act of something stalking you in the night becomes increasingly tense. This thematic interpretation has not yet been explored in other related horror genres.
Permanent link to this article: http://www.filmpool.ca/making-malignance-part-iii-in-the-edit-suite/
Jul 21 2014
Filmmaker’s Production Assistance Program
Congratulations to the following Filmpool members on their grant funding and equipment rental deferral awards, attained through the Filmpool’s annual Filmmaker’s Production Assistance Program (Spring – 2014).
The Filmpool looks forward to showcasing all of these works at upcoming Filmpool Premiere Screenings and beyond!
- Award: Amalie Atkins $2,500 financial assistance for Post Production of Aprons
- Award: Mike Rollo $2,500 financial assistance and $1,500 equipment rental deferral for Production of Farewell Transmission
- Award: Matt Yim $2,500 financial assistance and $15,840 equipment rental deferral for Production of Basic Human Needs
- Award: Mattias Graham $2,500 equipment rental deferral for Production of Red Can
- Award: Paul-Gui Crepeau $800 equipment rental deferral for Production of Saskatchewan’s URBAN Beauty
- Award: Kaylor Coons $1,342 equipment rental deferral for the First Film Fund of The Riddle Twins in: The Case of the Phantom…
For more information on the Filmmaker’s Production Assistance Program, visit this section of the website:
Permanent link to this article: http://www.filmpool.ca/supporting-independent-film/
Jul 16 2014
(check out part I: pre-production)
In late August and early September we shot the film with a small amount of money and a huge amount of support from the Saskatchewan Filmpool Cooperative (who provided all of the equipment), our talented actor Mr. Josh Strait (Corner Gas, The Tall Man, Wolfcop, along with numerous short films developed in Saskatchewan), and our amazingly motivated crew (all names worthy of mention: Jason Rister, Danielle Austin, Paul Crepeau, Mohammed Saadoun, Lynsey Johnson, Jay Husk, Joel Davis, and Burns Holland).
We had additional support through an Indiegogo campaign that raised several hundred dollars for the production phase. Thank you to everyone who donated. There are many others who donated their time and resources to help get Malignance in the can. Thank you to all them, we are eternally grateful!
The entirety of the film was shot on location at a secluded cabin in the woods east of Yorkton. Due to budgetary restrictions and the fact that the cabin was 3 hours from Regina, the whole gang lived and worked at the location for a week and a half. Looking back I would not have changed a thing!
The experience created a work environment that was void of any distractions; no cell phones and no internet (plus if anyone tried to escape they would not be able too. Ha-ha I joke!).
Besides eating and sleeping, and sometimes building a little fort, we did nothing but shoot, shoot, shoot. Sometimes the bugs were bad, sometimes it was cold during long night shoots, sometimes we were crazy tired and crazy from being tired, and yet spirits remained committed to the film and everyone did an outstanding job. I cannot thank everyone enough! You can check out a behind the scenes vignette here:
Permanent link to this article: http://www.filmpool.ca/making-malignance-part-ii-on-set/
Jul 07 2014
MALIGNANCE FILM IS COMING SOON
My name is Matt Holland, and I have been a member of the Saskatchewan Filmpool Cooperative for about 6 years. I have recently graduated from the Film Department at the University of Regina in 2013.
In my last semester of school I started working on a cabin-in-the-woods style horror film with my brother, Josh Holland. While Josh worked on refining the script, I worked on the visual style for the film by constructing a model of the cabin and manipulating a concept model to act out the entire film. I then photographed the subsequent actions. I thought this would be an interesting method of preparation because I could experiment with the visual elements like lighting and color before the shooting phase began.
I incorporated the visual preparation for Malignance into a project for a Visual Storytelling class instructed by Chrystene Ells. Chrystene taught me a number of ways to build intensity in the story through the images.
The final result was turned into this animatic:
Permanent link to this article: http://www.filmpool.ca/making-malignance-part-i/
Jun 24 2014
Hello there, this is the Filmpool’s Programming Coordinator, Noelle Duddridge, here to share a bit about my recent experience at my first IMAA National Media Arts Summit held June 8-11 in Halifax.
IMAA stands for the Independent Media Arts Alliance, and is an umbrella organization that a number of arts organizations, including the Filmpool, are members of. They describe themselves as: a non-profit national arts service organization that promotes and advances the interests of a vibrant media arts community. Representing over 90 independent film, video, and new media production, distribution, and exhibition organizations in all parts of Canada, the IMAA serves over 16,000 independent media artists and cultural workers.
The Tidal Force Summit happened over a week in the beautiful city of Halifax at the very impressive Neptune Scotiabank Studio Theatre. The week was filled with a number of great panel talks, nightly HIFF screenings, an excursion to Peggy’s Cove, and the National Media Arts Award Reception. To read more about a few of my experiences click on the images below:
Permanent link to this article: http://www.filmpool.ca/imaa-national-media-arts-summit/
Jun 20 2014
Hello again, Membership!
As promised, I’ve come bearing gifts. On our exciting, new unboxing day we made sure to get plenty of test footage from each camera to not only show off what they could do, but just to try them out ourselves! And we figured you guys would like to see what the footage coming out of these cameras is like as well, so I’m here to deliver.
In the first video you’ll see the more portable Pocket Cinema Camera, and its 1080P footage, followed by the Production Camera 4K stuff. Also make sure to check out the second video, showcasing 4K resolution, to really see what that baby can do.
We’ll be having a Blackmagic workshop on July 3rd, from 7 pm to 9pm. This will be the first of a few in the coming months. FYI: Attending the workshop is mandatory before the Blackmagic cameras will be available to rent to you, so make sure to get your spot! Register by email at [email protected]
Test Footage – Both Cameras
Production Cam footage at 4K Resolution
So there you have it! Our two new cameras waiting for you guys to come try them for yourselves.
Permanent link to this article: http://www.filmpool.ca/test-footage-blackmagic-pocket-cinema-camera-production-camera-4k/
Jun 18 2014
We’ve got a couple of really cool new additions to the equipment pool that we’re incredibly stoked to offer. Blackmagic‘s Pocket Cinema Camera, and Production Camera 4K. In addition to the cameras, we’ve got a pretty solid rig for each one, lenses, and of course whatever other accessories you may need that we’ve always had.
We’ve put together a couple of YouTube videos to show off the gear, so be sure to check those out. In the next post we’ll show you some footage so you have a better idea of what your shots will look like (i.e. Beautiful.)
Introducing the Pocket Cinema Camera
Introducing the Production Camera 4K
Both cams are waiting to be rented, so come and get them! We can’t wait to see what kind of footage you guys bring back.
Permanent link to this article: http://www.filmpool.ca/blackmagic-4k-pocket-cinema-camera/